NEW MUSIC
coming soon
ARTISTS
REMII
Remii is an Afro-soul singer-songwriter whose sound fuses Nigerian musical sensibility with Western soul. Raised in the church, he developed his voice and songwriting from a young age, using music as a deeply personal form of emotional expression.
He earned a Master’s degree in Chemical Engineering and a postgraduate degree in Project Management at the University of Manchester. During his study, he was active in the UK gospel scene as a member of Voices Beyond.
In 2016, he appeared on the BBC programme Songs of Praise, where his solo performance was described as “absolutely phenomenal” by judge Cary Grant. He later returned to Nigeria, performing alongside artists such as Johnny Drille and Bez Idakula, and was a semi-finalist on The Voice Nigeria.
Blending soul at his core with elements of pop, jazz, indie, gospel, and country, Remii creates emotionally resonant music centred on faith, love, inspiration, and social awareness.
CAT MAYEL
Cat Mayel is an alternative neo-soul singer, songwriter, producer, composer, and arranger committed to creating distinctive, thought-provoking musical work.
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Her sound fuses neo-soul with cinematic textures and subtle experimental elements, resulting in music that feels both intimate and expansive. She is recognised for building immersive pieces that prioritise emotional depth and atmosphere alongside melody.
Driven by intentional songwriting and nuanced vocal delivery, Cat Mayel treats music as a holistic art form, shaping lyric, harmony, arrangement, and sonic structure with precision. Her output is characterised by layered production, expressive phrasing, and a deliberate tension between restraint and intensity.
As a multidisciplinary musical artist, she leads across composition, vocal production, arrangement, and overall creative direction, developing a catalogue defined by depth, originality, and artistic discipline.
MULBRIDGE MUSIC
ARTIST POTENTIAL EVALUATION
​A structured editorial evaluation identifying underground and independent artists with clear artistic direction, genuine musical foundation, and visible growth trajectory.
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Artists are independently selected through scouting or submission-based evaluation using selected releases and live performances.
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Classifications
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Exceptional Trajectory
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Extremely High Potential
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High Potential
Mulbridge Music evaluations prioritise artistic development, trajectory, and reasoning over score-based ranking systems.
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Submissions are now open and highly selective.
YARWOOD
Overview
Yarwood is a Ghanaian multi-instrumentalist whose primary instruments are bass guitar and vocals, working within an introspective soul and alternative R&B space shaped by emotional honesty, musicianship, and a strong connection to his roots.
His catalogue, including Me, Myself & I and singles such as Dear God, Hold On Girl, and Yenko, reflects consistent artistic development and clear musical intent. What makes the work compelling at this stage is the presence of a sincere and evolving artistic centre.
This evaluation primarily focuses on these releases, with references to live material for additional context and developmental insight.
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Musicality & Artistic Identity
Yarwood’s work is strongest where musicianship, emotional intention, and live instrumentation meet.
Across Me, Myself & I, The Sound of a Journey, and singles such as Dear God and Yenko, the clearest through-line is not a fully fixed genre identity, but a consistent search for feeling, grounding, and self-definition.
His artistic identity appears closely tied to bass, voice, faith, roots, and reflective storytelling. As a result, the work carries a clear emotional centre rather than feeling directionless or performative.
However, the sonic identity is still developing. The material moves across soul, alternative R&B, Afro-rooted influences, and introspective songwriting without yet settling into a signature sound that feels immediately recognisable as his own.
At present, the emotional grounding and musicality of the work feel more cohesive than the lyrical identity itself.
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Strategic Intelligence
Yarwood shows clear artistic discipline and progression.
He is not simply releasing isolated singles; he has developed project-based work while also building live-format material. That suggests an artist thinking beyond short-term output.
The strongest strategic signals at this stage are consistency, musicianship, and clear artistic commitment.
The developing area is positioning. The public-facing identity still needs sharper definition: what world is Yarwood building, who is it for, and what makes this artistic lane distinctly his?
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Scalability & Longevity
Yarwood’s potential sits at the intersection of musicianship, emotional honesty, and cultural rootedness.
That foundation is valuable, particularly within an industry where many artists prioritise surface polish before developing substance.
However, scalability will depend on distinction. The work needs a clearer sonic fingerprint; one that makes the bass, vocal delivery, lyrical voice and production texture feel unmistakably connected to Yarwood himself.
The foundation for longevity is present because the work is rooted in sincerity, musicianship, and emotional intention.
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Development Insight
The main opportunity is not expansion. It is definition.
Yarwood could refine the relationship between:
* bass as identity
* voice as emotional centre
* roots as cultural grounding
* lyrics as personal language
* live performance as proof of musicianship
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Mulbridge Music Classification
High Potential
Yarwood demonstrates sincere musicianship, consistency, and clear artistic intent.
The next phase of his trajectory will depend on refining those foundations into a more recognisable sonic, lyrical, and visual identity.